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All Conditions for a Story (Thriller)

view in croatian
  • 2012
  • 16'
  • digibeta
  • color
  • Orig. Title: Svi uvjeti za priču (Thriller)

Today we are overwhelmed with various pseudo-documentary films that focus on violence for commercial purposes exclusively. These so-called documentaries have no aesthetic, kinaesthetic or ethical purpose except sensationalism. What intrigues about such films is precisely their structure, which remains more or less unchanged. There is always a comment that makes/tells/gives a story – even though it is mainly poor and utterly unimaginative, it is quite often the most powerful dramaturgic moment of the entire show. All Conditions for a Story explores how such scenes work if separated from the completed film, if given without a comment, and what impact they have on a regular viewer. How are they perceived, and what do these scenes now mean?

Lukas Nola
Lukas Nola
Stanko Herceg h.f.s.
Slaven Zečević
Production Design
Lukas Nola
Costume Design
Marita Ćopo
Jura Ferina, Pavao Miholjević
Sound Design
Dubravka Premar
Enes Vejzović, Barbara Nola, Bojan Navojec, Iva Mihalić, Nataša Janjić
Ankica Jurić Tilić

Lukas Nola (1964) studied painting at the Academy of Fine Arts, and film directing at the Academy of Dramatic Art in Zagreb. His short films and films for television include: Nobody’s Watching (1992), Each Time We Part Away (1994), The Theft (2004) and Don’t Ask How (2006). He has also directed five feature-length films: Russian Meat (1997), Celestial Body (2001), Alone (2001), True Miracle (2007) and Hush... (2013).

Croatian film catalogue

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