What does it mean to learn, to cope with the new and the strange, to listen and articulate? What does an amateur performance tell us, and how does it shape expressions that disappear with professionalization? The film examines the boundaries between documentary, feature and experimental elements that are intertwined both mutually, as well as in the relationships in front of and behind the camera – the relationship between the cameraman and the camera, the cameraman and the filmed, the filmed and the cameraman.