The film is a contemplation on a vision of the future and utopia. In 1970, Cuban architect Ricardo Porro made a master plan of a tourist settlement shaped like a human body. The design, which aimed to embody utopia and synthesize architecture, sculpture, painting, and tourism, was further elaborated by a group of international artists and architects. However, it was eventually never built. The model of the utopian settlement provides the visual basis for this film. Using an oscilloscope as a tool for image-processing, lying somewhere between the analogue and digital worlds, the film introduces a new set of artifacts and looks.